By Theodore Zeldin
A provocative paintings that explores the evolution of feelings and private relationships via assorted cultures and time. "An intellectually awesome view of our prior and future."--Time magazine
This groundbreaking booklet through an the world over popular historian and prolific writer is so wide-ranging in scope that categorizing a few of the matters and audiences it seeks to handle will be tricky. Implicit in Zeldin's paintings is a problem to standard historians who've heretofore pigeonholed their money owed of the human earlier into discrete booths (social, fiscal, political historical past, etc.). against this, Zeldin makes an attempt a historical past of human recommendations and emotions unfettered via concerns of ancient epoch or tradition. every one bankruptcy specializes in a selected proposal or feeling, similar to toil, the paintings of dialog, voluntarism, compassion, attitudes on classification and social prestige, and authority. to prepare his rules, Zeldin employs a masterful new method. After introducing each one bankruptcy with a private vignette in response to interviews he has carried out with members musing at the which means of a few element in their lives, Zeldin lines adjustments or commonalities in that feeling throughout time and position. normal readers should be encouraged by means of this thought-provoking and immensely readable work.?Marie Marmo Mullaney, Caldwell Coll., N.J.
Copyright 1995 Reed enterprise info, Inc. --This textual content refers to an out of print or unavailable variation of this identify.
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Extra resources for An Intimate History of Humanity
In China and Africa the freed slave often became a sort of poor relation; in Europe a client. To live outside the protection of someone more powerful than oneself was too frightening an adventure. The quality which was most remarkable about slaves – or at least those who did not get permanently drunk to forget their sorrow – was dignity. Many of them succeeded in asserting their autonomy even while being forced into menial work, pretending to accept their humiliations, playing a role, so that the master could live under the illusion that he was in charge, while they knew that he depended on them.
Even those who want to abolish conflict use its methods to fight it. However, the originality of our time is that attention is turning away from conflict to information. The new ambition is to prevent disasters, illnesses and crimes before they occur and to treat the globe as a single whole; women’s entry into the public sphere is reinforcing the challenge to the tradition that conquest is the supreme goal of existence; more attention is being given to understanding other people’s emotions than to making and unmaking institutions.
Juliette stayed. At another house, she was called skivvy. ’ But then anger subsides: ‘One must adapt oneself to everyone. Every employer presents problems. ’ And she consoles herself: ‘These people rely on me. I become more cultured with them: they tell me things. ’ Perhaps Juliette’s life could have been different if the meetings which have decided its course had been less silent, superficial or routine, if more thoughts had been exchanged, if humanity had been more able to show itself in them.
An Intimate History of Humanity by Theodore Zeldin